Popular Posts for the Month
The last time I tried to use the E-P1 with this long lens turned out to be a disaster. This is simply because of the ergonomics that was tot...
A new addition to our family... Introducing... Imran! Our boy born on the 8th of June, 2009 at 3:51pm. Weighing at 3.63kg, or 8.0lbs. ...
Shower hose , originally uploaded by thru-the-zuiko .
. This picture was taken quite a while back, around June. Santokh Singh aka Iron Man was one of Malaysian football stalwart in the late 70...
A boat zipping across the lake. The texture richness of the water surface intrigued me! What I like most about this scene was how the water...
Wednesday, December 31, 2008
Friday, December 26, 2008
There was this plant that was placed at the window sill with the nice landscape of Bangsar! The weather was just nice with the cloud forming. It was just waiting to be photographed!
Indeed it was a boring day, no e-mails, no phone calls..... I was in the brink of ZZZ-dom!!
Oh ya, during lunch, I managed to get myself a new Circular Polarizor for my 77mm threaded-lens. Being curious with the polarizor, and also nobody seemed to be in office, I quickly setup the shot.
Attaching the polarizor on the 14-35mm F2.0 SWD lens, with the FL-50R in RC-mode at the right side facing the white wall and bounced, an instant studio was created!
After many, many snaps, I was not happy with the shots. This in particular was due to the glass reflection. I have changed angle, changed flash output, shifted the polarizor; but nothing seemed to work. I sort of gave up, until I got this shot. Although there was still some residual reflection, it was minimal. I was somewhat glad with it. And it was the last shot!
This was the first shot, to gauge the ambient light with the background scene... it definitely very melancholic. The window frame added dimension to a somewhat sombre composition.
Thursday, December 25, 2008
- A newly developed 12.3MP Live MOS sensor with the TruePicIII+ processor to produce higher quality image reproduction.
- 6 Art Filters for in-camera image touch-up. These filters are: Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, and Pin Hole.
- 9 different Aspect Ratios: 4:3, 3:2, 16:9, 6:6, 5:4, 7:6, 6:5, 7:5, 3:4. For me, I will mostly use the first 5 as these are my favorite aspect ratios.
- Built-in dual axis level gauge to measure pitch & roll during image composition and capture. This is great for landscape and architecture shoots.
Thursday, December 18, 2008
The picture here depicts a few leaves on a branch with the blue sky as the background.
With just simple composition of positioning the shot from below, the bright blue sky served as a perfect background. With the morning sunlight shining, it added lighting aspect that enriched the shot.
I laid down underneath it, and with the 50mm F2.0 lens meticulously select the desired visual effect. Ample depth-of-field with the macro range was desired, so did stopping motion. Underexposure was a problem too, as the sky is dominant.
To get the shot, I set aperture to F8, shutter speed to 1/200s, and compensated exposure by +1EV.
I further did tonal enhancement in The GIMP to highlight the richness in color.
To my surprise, I receive an e-mail from an editor for a photo magazine in Holland. Eventually, this image was used by a Dutch Pro magazine as a sample for their E-510 review.
Watching children play is a delight. Watching them having fun, pure fun, is God given delight.
Wednesday, December 10, 2008
A snapshot of the soul... a picture to tell the whole story of a person... portraits!
I always like to shoot portraits; mostly candids, as my subjects are mostly children.
The details, the expression, the lighting, the mood, the background, the foreground, the focus, the de-focus, the bokeh, the sharpness, the eyes, the soul, the shadows, the highlights, the smiles, the sorrow... I can go on, and on....
A quick snap with the Zuiko Digital ED14-35mm F2.0 SWD lens yields an exquisite rendition of the children's expression. The subtlety of the monotones, coupled with the soft lighting from the background adds aura to the composition. Adequate bokeh qualities to blur the backgrounds adds silkiness to the textures. Eyes, yes, very sharp eyes!
This meticulously composed image was done with care. Soft sunlight through the day curtain provided the adequate side lights to this composition. Flash was not used in this shot, but yet able to have a beautiful catchlight in the eyes. How was that possible?
Apparently, my son was watching the telly, and the reflection was caught in the eyes. Marvellous!
All I needed was a Zuiko Digital ED50mm F2.0 MACRO lens, and lots of patience.
Thursday, November 20, 2008
E-3, HLD-4, ED50-200mm F2.8-3.5, EC-14
Wednesday, November 12, 2008
E-3 & ZD14-54mm F2.8-3.5
The beauty of the scenery, with the centerpiece being the KLCC Park and KL Convention Center, was captured from the 17th floor of Menara Maxis.
Menara Maxis is just adjacent to the Petronas Twin Towers, along Jalan Ampang.
E-3 & ZD ED14-35mm F2.0 SWD
Storm clouds warned the coming of rain.
The oval lawn at the park added new dimension to this image as if the Petronas Twin Towers is actually situated in a vast flat area. The lack of perspective convergence did not help either to hide the sheer smallness of the lawn. In fact, this oval is just a tiny patch of opening a few hundred yards from the towers.
E-3 & ZD 14-54mm F2.8-3.5
Misty morning, a scene of Petronas Twin Towers and KL Towers, was captured from my old apartment located some 30 kilometers away!
E-500 & ZD 11-22mm F2.8-3.5
The park's fountain is the main showcase, and is rightly located at the center of KLCC.
E-510 & 14-54mm F2.8-3.5
This night shot was made simply with the help of modern camera technology. I framed the scene, and I shot the scene handheld. That was all it took.
KLCC is simply beautiful.
Sunday, November 9, 2008
One requirement, though. Please switch off the flash!
Looking at babies when you are in solace is relaxing, and puts delight to your soul.
14mm, F2.0, 1/60s, ISO1600
In this shot, my grandma was cradling her youngest great-grandson with the other 3 great-grandchildren hustle around. The drama of this shot entailed me to change it to monochrome. And I boosted the contrast to excite the situation.
35mm, F2.0, 1/60s, ISO1600
Saturday, November 8, 2008
With the spirit of using everything in-house, my friend got hold of a staff who was keen to be the model of the shoot. She was able to illustrate what my friend had in mind, and the shoot was all done within 2 hours.
The make-shift studio was simple. We went to the HR training center, and used one of the presentation rooms. The white background was actually a "typical" white board, and to my delight, the surface was matte! What this meant was that my flash setup will be just perfect, without the worry of distracting reflections from the background.
Within minutes, I had setup the location shoot with the E-3 as the main camera, with the Zuiko ED35-100mm F2.0 lens. For the lighting, I used 2 E-system flashes; FL-50R on my left and FL-36R on my right. And I also switched on all the ambient lighting available in the room. There were also windows along the room to my right to allow some sunlight to irradiate into the room.
For the shoot, it was a team effort. My friend directed what he wanted the model to do, and all I did was to capture the facial and body expressions instanteneously. The E-system was up to the task, as I was able to setup continuous shooting with both flash. I set it to the E-3 maximum, which was 5 frames-per-second.
Friday, November 7, 2008
The bright sun, blue sky, shadow details, backlit leaves, and a single flare. To me this image was quite melancholic, with a touch of hope. It felt silent, yet loud. The thin depth-of-field adds a surreal aura to the background, whilst maintaining the whole pot in focus. The added vigneting through editing in Flickr.com completed the mood of the image.
The details of the rattan weaves could be clearly seen, although the sunlight at the background should have rendered it totally black. The ability of the Zuiko ED14-35mm F2.0 SWD lens to minimize flare and E-3 Shadow Adjustment Technology made it possible. Simply, the combination was able to cope with such a demanding image parameters. I could have used the fill-flash method to capture the details, but it would have killed the impact that I was looking for!
This is the same composition, but I used the monotone touch to represent the shot in a different manner.
Thursday, November 6, 2008
The cruise started at the ferry pier, just near the Putra Mosque. By 7.45pm we arrived and were ushered to a nice reception lobby with refreshments. The cruise started at 8pm.
It was actually a full cruise through the lake, and we were dining with cuisine from Hilton Putrajaya. I had chicken, my wife had salmon. All I can say was, the experience was breathtaking as we were cruising down the lake with the moonlight and city lights lining the lake's rim. It was purely romantic!!
Some beautiful scenic shots to savor the beautiful experience of the cruise.
Actuall, the cruise U-turn point was at PICC. There, the captain had the ferry to a halt for about 5 minutes. I went up the top of the ferry, for open view of the scene. It was beautiful!!!
Also, throughout the cruise, we passed the bridges of Putrajaya. the following images are some that I managed to capture. The ferry was cruising at about 10-15knots, and I had to be quick to capture the bridges while the ferry was passing by. It was fast!
The ferry was passing under the bridge. Quickly, I framed at 14mm at A-priority, with the aperture at F4, shutter speed 1/20s and ISO2000. To ensure proper metering, I offset the exposure compensation to -1EV.
Again the IS did the job for me to get blur-free images.
Not to be missed was to definitely have some beautiful portrait shots with the Putrajaya cityscape. Although the situation for photography was very difficult, I managed to pull it off.
The biggest trick was to capture portrait with a dark background with the ferry moving and rocking. I used my E-3 with the Zuiko Digital 14-54mm F2.8-3.5.
I framed at 14mm, with the aperture at F2.8, shutter speed 1/15s and ISO2000. To ensure proper metering, I offset the exposure compensation to -1EV. Flash was used to illuminate my wife, at TTL -1.3EV.
Monday, November 3, 2008
Rugby has always been my passion sport. Although I follow the Barclays Premier League religiously, it is more of watching quality matches; i.e. whenever the Big Four meet. But for rugby, it is different. I will watch if the basic skills are mastered by the players for a very fast flowing game. Even at local club level, I am intrigued. For example, the latest COBRA 10s tournament. The level may not be as high as the 7s game, but to see locals compete for the cup level is very heartening, indeed.
And the thing was, I only knew about it on Saturday morning 8am when I was having breakfast at Syed's Section 3 Shah Alam. I saw the news at the back of a newspaper while someone was reading it. Straight away, I finished my breakfast and went to Stadium MBPJ at Kelana Jaya.
On Saturday, the matches were the preliminaries, and the games were not very fast and engaging. The crowd was poor too. Around 20-30 paying supporters. Yeah, the ticket was RM10 for 2 days, with an RM5 meal voucher. On Sunday, the mood picked up, as the paying supporters reached the thousands. The atmosphere was good, a bit short of electrifying, though!
While enjoying the game, I snapped the action. One thing for sure, this enabled me to get closer to the action as the pictures recorded the gritty moments of the matches. And the weather was just superb for both good old-fashioned rough rugby and great action high quality photographs.
More pictures can be viewed here: http://www.flickr.com/photos/mfahrur/sets/72157608592357409/show/
Scenes off the field.
Action on the field.
Some stadium images.
Friday, October 31, 2008
I started into photography back in 2002, when I got myself an OM-1 film SLR with a couple of Zuikos: 50mm F1.4 (SC) and 75-150mm F4 (SC). My passion grew with other acquisition throughout the years, namely in 2005 when I got an OM-4 with a slew of fine lenses: 28mm F3.5 (SC), 50mm F1.8 (MIJ), 135mm F2.8 (SC), 200mm F4 (SC) and 35-105mm F3.5-4.5 (MC). Among my favorite lenses were the 28mm and 35-105mm.
And I also started to experiment with Kodak Royal Gold films. Slowly, after a couple of years, I moved towards Fuji Reala 100. The reason is simple; Fuji Reala produced the most exquisite skin tones and natural colors for any consumer grade film. And now, the film can be had for RM7 per 36 exposure roll.
*** A little technical stuff, here ***
The shot of Putra Mosque was done with the OM-4 and 28mm F3.5 lens. Using the Auto mode with Off-the-film metering and Hyperfocal focusing, I only have to care on composition without having to worry about over/under-exposure or out-of-focus subjects. Using old manual camera system like the OM-system, can be very fast or even faster than modern DSLR, given a certain situation with the proper settings. The film used was the Fujifilm Reala 100 with the aperture at F11.0 deep depth-of-field. Postprocessing of the negative was done via the Canoscan 4200F scanner at 3200dpi, and converted to monotone. Additional contrast was added to accentuate the mood, and a tighter crop was needed to solely focus on the mosque.
Some shots made using various bodies and lenses.
OM-2000; 70-210mm F4.0-5.6
OM-4; 35-105mm F3.5-4.5
OM-4; 50mm F1.8