The picture here depicts a few leaves on a branch with the blue sky as the background.
With just simple composition of positioning the shot from below, the bright blue sky served as a perfect background. With the morning sunlight shining, it added lighting aspect that enriched the shot.
I laid down underneath it, and with the 50mm F2.0 lens meticulously select the desired visual effect. Ample depth-of-field with the macro range was desired, so did stopping motion. Underexposure was a problem too, as the sky is dominant.
To get the shot, I set aperture to F8, shutter speed to 1/200s, and compensated exposure by +1EV.
I further did tonal enhancement in The GIMP to highlight the richness in color.
To my surprise, I receive an e-mail from an editor for a photo magazine in Holland. Eventually, this image was used by a Dutch Pro magazine as a sample for their E-510 review.
One of first foray to explore the tonal qualities of the E-3 was to shoot high contrast subjects.
Again, leaves were my choice. In this case, I overexposed the sky to whitewash, and purely extracted the rich green tones.
Green is a strong color represented in most D-SLR. This is due to the Bayer filter design principles that partition Green as 50% of the color representation, with Blue and Red at 25% each.
The soft subtleties of the greens can be seen clearly. The texture of the leaves are beautifully captured in great detail. The selection of shallow depth-of-field at close-up, adds texture to the image - where the details and off-focus elements of the textures are interleaved. At ISO100, the tones are at the most maximum, and represent the real capabilities of the camera.