Popular Posts for the Month
It is not often you can get a sense of affection from an inanimate object. To get that affinity, the object must have a soul. That is exactl...
The last time I tried to use the E-P1 with this long lens turned out to be a disaster. This is simply because of the ergonomics that was tot...
. As promised, I picked up the Olympus E-5 test unit from the Olympus Malaysia office at Mont Kiara during lunch. Weather-proofing legacy ...
. This picture was taken quite a while back, around June. Santokh Singh aka Iron Man was one of Malaysian football stalwart in the late 70...
I stacked the lens with the MMF-1 adapter, EC-14 teleconverter and the MF-1 adapter. The handling is quite awkward. With such a long focal...
Wednesday, December 31, 2008
Friday, December 26, 2008
There was this plant that was placed at the window sill with the nice landscape of Bangsar! The weather was just nice with the cloud forming. It was just waiting to be photographed!
Indeed it was a boring day, no e-mails, no phone calls..... I was in the brink of ZZZ-dom!!
Oh ya, during lunch, I managed to get myself a new Circular Polarizor for my 77mm threaded-lens. Being curious with the polarizor, and also nobody seemed to be in office, I quickly setup the shot.
Attaching the polarizor on the 14-35mm F2.0 SWD lens, with the FL-50R in RC-mode at the right side facing the white wall and bounced, an instant studio was created!
After many, many snaps, I was not happy with the shots. This in particular was due to the glass reflection. I have changed angle, changed flash output, shifted the polarizor; but nothing seemed to work. I sort of gave up, until I got this shot. Although there was still some residual reflection, it was minimal. I was somewhat glad with it. And it was the last shot!
This was the first shot, to gauge the ambient light with the background scene... it definitely very melancholic. The window frame added dimension to a somewhat sombre composition.
Thursday, December 25, 2008
- A newly developed 12.3MP Live MOS sensor with the TruePicIII+ processor to produce higher quality image reproduction.
- 6 Art Filters for in-camera image touch-up. These filters are: Pop Art, Soft Focus, Pale & Light Color, Light Tone, Grainy Film, and Pin Hole.
- 9 different Aspect Ratios: 4:3, 3:2, 16:9, 6:6, 5:4, 7:6, 6:5, 7:5, 3:4. For me, I will mostly use the first 5 as these are my favorite aspect ratios.
- Built-in dual axis level gauge to measure pitch & roll during image composition and capture. This is great for landscape and architecture shoots.
Thursday, December 18, 2008
The picture here depicts a few leaves on a branch with the blue sky as the background.
With just simple composition of positioning the shot from below, the bright blue sky served as a perfect background. With the morning sunlight shining, it added lighting aspect that enriched the shot.
I laid down underneath it, and with the 50mm F2.0 lens meticulously select the desired visual effect. Ample depth-of-field with the macro range was desired, so did stopping motion. Underexposure was a problem too, as the sky is dominant.
To get the shot, I set aperture to F8, shutter speed to 1/200s, and compensated exposure by +1EV.
I further did tonal enhancement in The GIMP to highlight the richness in color.
To my surprise, I receive an e-mail from an editor for a photo magazine in Holland. Eventually, this image was used by a Dutch Pro magazine as a sample for their E-510 review.
Watching children play is a delight. Watching them having fun, pure fun, is God given delight.
Wednesday, December 10, 2008
A snapshot of the soul... a picture to tell the whole story of a person... portraits!
I always like to shoot portraits; mostly candids, as my subjects are mostly children.
The details, the expression, the lighting, the mood, the background, the foreground, the focus, the de-focus, the bokeh, the sharpness, the eyes, the soul, the shadows, the highlights, the smiles, the sorrow... I can go on, and on....
A quick snap with the Zuiko Digital ED14-35mm F2.0 SWD lens yields an exquisite rendition of the children's expression. The subtlety of the monotones, coupled with the soft lighting from the background adds aura to the composition. Adequate bokeh qualities to blur the backgrounds adds silkiness to the textures. Eyes, yes, very sharp eyes!
This meticulously composed image was done with care. Soft sunlight through the day curtain provided the adequate side lights to this composition. Flash was not used in this shot, but yet able to have a beautiful catchlight in the eyes. How was that possible?
Apparently, my son was watching the telly, and the reflection was caught in the eyes. Marvellous!
All I needed was a Zuiko Digital ED50mm F2.0 MACRO lens, and lots of patience.